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  • Creative Writing Curriculum
    • Unit 1: The Art of Character and Concrete Detail
    • Unit 2: Poetry, Precision, and the Weight of Words
    • Unit 3: The Architecture of Story—Narrative Beginnings, Middles, and Ends
    • Unit 4: Infusing the Self—Blurring Art and Identity
    • Unit 5: Poetry Revisited—Form, Flow, and Challenge
    • Unit 6: Drama, Screenwriting, and Visualized Narratives
    • Unit 7: Experimental Writing—Dream Logic, New Languages, and Breaking the R
    • Unit 8: Open Capstone and Publication—A Final Creative Offering
  • English 9 Ethnic Studies
    • Overarching Unit Guide
    • Unit 1: Identity and Community Building
    • Unit 2: Intersectionality
    • Unit 3: Oppression, Expression, and Stereotyping
    • Unit 4: Resilience and Resistance
    • Unit 5: Cultural Ownership and Storytelling
    • Unit 6: Book Groups
  • Honors 12 & Concurrent Enrollment
    • Lenses and Critical Approaches
      • Psychology
        • Intro to Critical Theory: Psychology, the Mind, and Consciousness
        • Freud and Consciousness
        • Alfred Adler and the Self Ideal
        • Lacan
        • Carl Jung
        • B. F. Skinner
        • Viktor Frankl
      • Linguistics
        • Linguistic Structuralism
        • Semiotics
        • Derrida and Deconstruction
        • Ferdinand de Saussure
        • Charles Sanders Peirce
        • Noam Chomsky
        • Leonard Bloomfield
        • Roman Jakobson
        • Edward Sapir
        • Roland Barthes
        • Umberto Eco
      • Other
        • Women's Perspective in Literature
        • Black and African American Perspectives
        • Narrative Structuralism
        • Post-colonialism
        • "New" Criticism
      • Western Philosophy
        • Plato and Socrates
      • Eastern Philosophy
        • Ram Dass
      • Literary Figures
    • Literary Works
      • 1984
      • Art (Visual)
      • Belovéd
      • Bless Me, Ultima
      • The Book Thief
      • Catcher in the Rye
      • Crime and Punishment
      • Emma
      • Flight
      • Frankenstein
      • Hamlet
      • Heart of Darkness
      • Holocaust Literature
      • Horror and The Uncanny
      • The Idiot
      • Indian Horse
      • The Inferno
      • Lolita
      • Macbeth
      • Misc Poetry
      • Night
      • Notes from a Dead House
      • One Flew Over the Cuckoo's Nest
      • Paradise Lost
      • Pride and Prejudice
      • Romeo and Juliet
      • The Stranger
    • Writing Support
      • Mind Maps
      • Free Writing
      • Cubing
      • How, Why, So: A Guide to Interpretive Analysis
      • Strong, Academic Titles
    • Literary Elements
      • Theme (Ideas)
      • Character
      • Setting and Context
      • Symbolism
      • Point of View
      • Freytag's Pyramid (Traditional Structure)
      • Campbell's Monomyth (Hero's Journey)
  • James Joyce
    • Dubliners
      • Dubliners: Childhood
      • Dubliners: Adolescence
      • Dubliners: Maturity
      • Dubliners: Public Life
      • Dubliners: The Dead
    • A Portrait of the Artist as a Young Man
    • Ulysses
      • The Telemachaid
        • Telemachus
        • Nestor
        • Proteus
      • The Odyssey
        • Calypso
        • Lotus Eaters
        • Hades
        • Aeolus
        • Lestrygonians
        • Scylla and Charybdis
        • The Wandering Rocks
        • Sirens
        • Cyclops
        • Nausicaa
        • Oxen of the Sun
        • Circe
      • The Nostos
        • Eumaeus
        • Ithaca
        • Penelope
      • Ulysses Seen
    • Finnegans Wake
  • Explorations
    • Macbeth's Christian Dagger
    • A Kingly Lesson - Macbeth, Malcolm, and that One Scene You Skimmed Through
  • Rants
    • The Great Grading Hoax: Why English and Numbers Don't Mix
  • Odysseys
    • Ulysses - A YouTube Odyssey
    • Part 1: "I'm Going to Prison!"
  • Creative
    • An Unfriendly Chivo
    • A Door
    • Shorter Works (Haikus, Tankas, and More)
    • A Gilded Life: Reflections after 20 Days in Mariupol
  • Academic
    • Waterlover, Griefcarrier, Meansoaker
    • Self-Fulfilling Prophecies
    • The Patriarchal Gyre
    • And They Worshipped Her
    • Austen’s Inferno
    • Finding Reality
    • Shattering Citadels
    • A Wave of Meaning
    • Intro to Feminism
  • AP Specific Resources
  • Artificial Intelligence
    • AI, Data, and Privacy
    • How AI and LLMs Work
    • List of AI Tools
    • Setting Guardrails
    • Diversifying Instruction using AI
    • Engagement Activities with AI
    • World-Building and Role-Playing with AI
    • Academia and AI
    • Grading Using AI
    • Prompting AI
  • About Me
  • Donate and Support
Mostly Illiterate

Pacing Guide

Syllabus and Expectations

Extended Learning

Marco Learning

How to Ace the Multiple-Choice Section

Poetry Analysis Essay

AP Lit Channel Playlist

Albert.io

15 AP English Lit. Tips

Timed Writing Samples

Summary vs. Analysis (Student Samples)

POV/Narrator Analysis Sample Paragraph with The Cathedral

2009 Fiction (The Street) Full Essay Sample

2009 Fiction (The Street) Passage Annotation Sample

2012 Fiction (Under the Feet of Jesus) Full Essay Sample

2019 Q1 and Q2 Full Essay Samples with 2019 Passages, All Annotated

"Telemachus" from Ulysses Full Essay Sample

"Nestor" from Ulysses Full Essay Sample

DO-DON'T (Writing)

In this video, I explore how I like to drill the released AP Literature and Composition free-response essays. 

You can find all the released essay prompts with samples on their website (I'm a link!).​

Here's a basic list of the timings I like to use and when I use them:

10 min - Practice annotation, theme identification, and getting accustomed to the prompts themselves

15 min - Same as 10 min, but students should be able to formulate a solid thesis and identify examples that they would use throughout their essay

30 min - Full practice run through the exam; perfect for Q3 (open response), but not enough time for Q1 and Q2. This may help remove a student's 'filter.'

45 min - Perfect for Q1 and Q2; most accurate representation of the time constraint the day of the AP exam

60 min - Perfect for in-class testing situations and allowing students to use a word list (like academic verbs, descriptors, transitions) to help improve their writing

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