What is race? What is a social construction?
What is my place in the world?
How do I identify myself? How do others identify me?
What is a community and what is its purpose? What makes it function or fall apart?
What causes certain groups in our society to have advantages while others do not?
This unit establishes a foundation for understanding identity, self-perception, and self-discovery. Students will begin by defining key terms essential to the course (e.g., race, ethnicity, hegemony, master narrative, etc.), using these concepts to explore how language shapes our understanding of ourselves and others. By examining race as a social construct, students will analyze how societal definitions of identity influence personal and collective self-perception. The unit will also challenge students to consider how English—the dominant language in American discourse—functions as both a tool of empowerment and a mechanism of control in shaping narratives about identity, belonging, and exclusion.
Approximately 3-5 Weeks
(3) Furthering self-understanding – Encouraging students to explore and articulate their identities.
(4) Developing a better understanding of others – Examining how language and society shape perceptions of identity.
(6) Promoting self-empowerment for civic engagement – Encouraging students to claim their voice through writing and discussion.
RL.9-10.1 – Cite strong and thorough textual evidence to support analysis of what the text says explicitly and implicitly.
RI.9-10.1 – Cite strong and thorough textual evidence to support analysis of informational texts.
W.9-10.3 – Write narratives to develop real or imagined experiences, using effective technique, details, and structure.
SL.9-10.1 – Initiate and participate in collaborative discussions, building on others’ ideas and expressing their own clearly (entry-level focus).
L.9-10.4 – Determine the meaning of words and phrases as they are used in a text, including figurative and connotative meanings.
"Introduction to Poetry" By Billy Collins (Text)
"Untitled Poem" by Beth Strano (Text)
"Theme for English B" by Langston Hughes (Text)
"America" by Claude McKay (Text)
"Totally like whatever, you know?" by Taylor Mali (Text)
"On Turning Ten" by Billy Collins (Text)
"Quilt of a Country" by Anna Quindlen (Text)
"Only Daughter" by Sandra Cisneros (Text)
"Names/Nombres" by Julia Alvarez (Text)
"By the Waters of Babylon" by Stephen Vincent Benét (Text)
Early Newspaper Illustrations (Link)
"The Pedestrian" by Ray Bradbury (Text)
"There Will Come Soft Rains" by Ray Bradbury (Text)
"Harrison Bergeron" by Kurt Vonnegt (Text)
"The Future Looks Good" by Lesley Nneka Arimah (Text)
N.K. Jemisin’s “The Ones Who Stay and Fight” (Text)
"Spider the Artist" by Nnedi Okorafor (Link)
"The Rememberer" by Aimee Bender (Link)
Long Way Down (Jason Reynolds)
Dropping the Bomb, BBC Context Video (Link)
Story of a Hiroshima Survivor, with Questions (Link)
She Was 300 Yards From the Atomic Bomb Center — and Survived | Obon | Op-Docs (Link)
Nuclear Bomb Map/Simulator (Link)
WWII Explained in 5 Min (Link)
Nuclear Bomb Tests (Link)
"Race, Identity, and Community" (Link; AI Written)
"Culture, Ethnicity, and Finding Free Will" (Link; AI Written)
"Utopia and Dystopia: Imagining the Future with AI" (Link; AI Written; Intended for ELD Adv.)
"Growing Up Wired: Phones, Games, and the Teenage Brain" (Link; AI Written)
"Afrofuturism in the Stacks" by Angela Washington (Link)
"Afrofuturism mixes sci-fi and social justice" by Vox (Link)
How to recognize a dystopia - Alex Gendler (Link)
Mr. Nobody Against Putin (Link)
The Future in Film Clips (Link)
Film Scene Analysis: Representation of the Future in film. Students analyze how various films explore different utopias, dystopias, and what groups are included, excluded, and to what extend.
Future in Film Student Handout (Link)
Future in Film Clips and Links (Link)
Reflect on what you've learned, then make predictions about the future (Link)
Recommended Plan: Have students watch film clips of the future, read "By the Waters of Babylon" (and similar texts), then study historical events that often inspire science fiction and dystopian fiction (like the bombing of Hiroshima and Nagasaki). THEN complete this deck.
Updated 8/9/25 to fit with standards.
The End of the World - Explore fictional depictions of dystopian worlds. Then, compare those fictional representations to real-life 'ends of the world,' so to speak, like the nuclear bomb drop on Hiroshima.
"By the Waters of Babylon" by Stephen Vincent Benét (Text)
Dropping the Bomb, BBC Context Video (Link)
Story of a Hiroshima Survivor, with Questions (Link)
She Was 300 Yards From the Atomic Bomb Center — and Survived | Obon | Op-Docs (Link)
Annotations - Read and annotate the transcript of "Danger of a Single Story," selecting key evidence, points, etc.
Critical Reading Guide (Link)
Ideal Annotation Sample (Link)
Identity Slide Deck – A collection of writing, images, and reflections exploring personal and cultural identity.
Prompt and Template Deck (Link)
Universal Slide Deck Template (Link)
Personal Narrative Letter: A Letter for a New Year (Link to Prompt)
Where I'm From Poem (Link to Prompt)